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The Night Is A Harsh Mistress, Chapter 11

Writer Zen Garden Posted on September 22, 2008 by a.catherine.noonSeptember 22, 2008

Rachel woke, the dream fading too rapidly for her to capture it. She inhaled and caught a whiff of her own scent and her eyes popped open. She really needed a shower. The sight of her office chair moved all the way out from behind the desk, in a position she never left it, brought her fully awake. She gasped and started to sit up.

“Gently,” a voice said from next to her and a hand pressed her shoulder down.

She squeaked, startled, and her eyes flew to Viktor’s face. “Viktor! What are you doing here?”

Viktor studied her, his eyes serious. “What do you remember?”

She started to say, ‘nothing,’ and then like a strobe light she flashed on Steve’s face. “Oh, God…”

Viktor blinked, expressionless. “Raych?”

She closed her eyes, not wanting to see his eyes, the knowing look. “I remember Steve…”

“Do you remember anything else?” came the careful voice.

“You slapped me, and yelled at me for going out with him.” Sudden tears, hot and uncomfortable, welled up in her eyes. She turned her head into the pillow, ashamed for him to see it. “He seemed so nice,” she whispered.

It took her a moment to realize his hand on her arm was meant as comfort. He rubbed back and forth, up to her shoulder, in long gentle motions that were oddly soothing. “We all do dumb things when we’re lonely,” he murmured.

She didn’t look up. She didn’t want him to see her tears, to know that she was hurt by the stranger with the attractive face and enticing cologne.

He seemed to guess it anyway. “It’s okay, Raych. You’re safe now.”

She wondered about Viktor, suddenly, and met his gaze. “Why do you care?” she demanded. “Why are you here, Viktor?”

He studied her, not answering right away.

He said something in Russian, softly, that she couldn’t catch. Then he stood up. “You need some food,” he noted abruptly, and turned to the door. “I’ll be right back.”

Before she could react, he was out the door, closing it softly behind himself.

“Dammit!” she burst out and sat up. “Jerk,” she said more softly, superstitious that he might hear her. She blew out her breath in annoyance and looked around her office. “I need a shower,” she told her desk, more to ignore the feeling of being completely alone than because the desk would answer her.

She gathered up her toiletries and gym bag. Her unknown intruder had scattered everything all over the floor and it took quite some time to put it all back in her bag. She couldn’t find her brush and turned back to the desk and got down on her hands and knees to look underneath it.

A picture caught her eye and she fished it out from under a pile of papers where it was half buried. It was a picture of the Greene family.

She sat back on her heels, her shower forgotten. “David, where are you?” she asked softly. Her mind started into gear. First, Viktor showed up to tell her not to search for the boy, saying that it was too dangerous. Then she met Steve, who Viktor claimed was one of Krichoff’s men. How were they connected? And what about the parents, if that’s what they really were? What was their part in all of this? They had seemed harmless to Rachel, worried for their son; not members of a crime syndicate spanning three continents.

She fished out more of the file and sat on the floor to rifle through it. First there was the original visit, the report she hadn’t had time to type up yet. Then there were the pictures she’d been given. She sat staring at the contact record for several moments as the plan formed in her mind. She was so engrossed she didn’t register when Viktor returned until he was actually in the room.

“What are you doing?” he snapped.

She jumped and compulsively stacked the papers. “Cleaning up,” she lied.

He glanced at the papers in her hands and frowned. She shoved another set of papers on top of them and stacked them all together, despairing of ever getting her files straight again. Instead, she stood up with the sheaf in her hands and laid it on her desk. “What food did you get?”

He blinked and his eyes snapped to her face, as though he saw through her subterfuge. “Corner Bakery,” he answered. “I didn’t know what you’d want, so I got a couple things. We can put the rest in the fridge.”

Her stomach growled loudly and she blushed. “That sounds good,” she said gratefully. “I’m actually hungry.”

That got a smile out of him and he set the bag on her desk. She moved the stack away and set it on the chair behind her. “Let’s see what you brought.”

They ate their food in companionable silence, only speaking in short sentences. He seemed as hungry as she felt, stuffing his mouth.

“I have to get a shower,” she mused out loud when she finished the last of her eggs.

“You mind if I make a phone call?” he asked.

“No problem,” she answered, spying her brush under the desk. She fished it out and popped it in her bag. “I’ll be back in a bit.”

He nodded and pulled out his phone as she went to the door. She shook her head and went down the hall to the locker room. The shower washed away a multitude of sins and she found herself just standing, letting the spray beat down on her skin. She turned it off with a pang of regret and got dressed, wondering what she would say to Viktor when she got back to her office.

She had to unlock her office when she returned. Viktor was gone, the scent of his cigarettes the only thing remaining. Then she saw the desk. A new pack of his cigarettes sat in the precise center, with a note: ‘Just don’t smoke them all in one sitting. V.’ “Smart ass,” she muttered.

She turned to set her gym bag down and her eyes fell on the place where she’d stacked the papers with the Greene’s file.

The file was gone.

She tore through the remaining papers franticly, hoping that she’d just misremembered where she’d put them. But they did not turn up.

Viktor had taken the entire file, including all the pictures.

“Dammit, Viktor,” she whispered to the empty room. “Why did you do that?”

Posted in Uncategorized | Tagged A. Catherine Noon, Serial Fiction, The Night Is a Harsh Mistress

Thursday Thirteen 163rd Edition

Writer Zen Garden Posted on September 19, 2008 by a.catherine.noonSeptember 19, 2008

Most of the contributors of the Writer’s Retreat Blog participate in the weekly meme, Thursday Thirteen, so every Thursday we link to the individual sites of each writer’s TT. Hopefully, this helps you get to know each of us a little better. This week we’ve got:

Eaton Bennett: Life Meme

A. Catherine Noon: 13 Balls in the Air

Posted in Uncategorized | Tagged Thursday Thirteen

What are your Writuals?

Writer Zen Garden Posted on September 17, 2008 by a.catherine.noonSeptember 17, 2008

I found this article very interesting, it’s great to have an insight intowhat other writers do to get in the writing mood and then what they do whilst writing too. I’d love to see what the Writer’s Retreat member’s writuals are *cough*hinthint*cough*

“Virginia Woolf, George Bernard Shaw and Roald Dahl did it in sheds at the bottom
of the garden. Shaw’s desk was famously on castors, so he could turn it
throughout the day to get maximum light. Dahl even had one of his own hip bones
sitting on the desk. Every writer will have their own ritual. Kerry McKittrick
examines the modus operandi of some of Ireland’s favourite writers and asks:
What are your Writuals?”

http://news.bbc.co.uk/1/hi/northern_ireland/7340217.stm

Where are you?
I write at home in my bedroom, usually surronded by the bits of scibbled on paper that contain my plot, character bios and obscure doodles of things to do with the story. Oh and Jérôme the cabbage patch is usually around somewhere.

What are you writing with?
Always paper for the plan and then my laptop for writing

What’s the oddest object in front of you?
I’ll take a picture, there are no words for its epicness.

What are you listening to?
The Sharpest Lives by My Chemical Romance but it can be anything from that to Ludovico Einaudi. I can’t write with the TV or radio on though because people talking disturbs me.

Is there anyone else in the room?
No way, that would drive me mad.

What time of day is it?
The best stuff seems to appear around 3am but any time in the day seems to work alright.

What do you look at when you’re looking for inspiration?
Go on wiki-trails, for people who’ve never heard of it, you start on a random wikipedia page and then click on any link on the page that catches your interest. And generally stuff in my room or out the window that catches my eye, sometimes dreams can be quite useful too.

What is guaranteed to remove your concentration?
People talking and lack of tea

Posted in Uncategorized | Tagged Fey, Tools, Writing

Wiley Wednesday: Weaving the Web

Writer Zen Garden Posted on September 17, 2008 by a.catherine.noonSeptember 17, 2008

One of my favorite writing websites is Writing World, www.writing-world.com (don’t forget the dash or it’ll send you somewhere different). Now edited by Dawn Copeman, it was started by Moira Allen. They publish a free monthly newsletter on the first Thursday of each month. The website has over 825 pages of information covering every genre.

Moira Allen was editor of Cat Fancy magazine for over a decade and has numerous writing credits to her name. I took a class from her, Breaking into Magazine Writing, that I found tremendously informative and useful. She is very business-like in her approach. She doesn’t have fairy-dust in her eyes about how the publishing industry works, but she is very proactive in how she approaches it.

Writing World covers all sorts of material of interest to the beginner and experienced author alike:

Beginner’s World
The Business of Writing
Freelancer’s World
Commercial Corner
International Writing
General Fiction
Romance
Mystery
SF/Fantasy
Children’s Writing
Poetry/Greeting Cards
Creative Nonfiction
Screenwriting
Publishing Your Book
Promoting Your Writing

In addition, Moira Allen has written several books of interest to the freelancer. In particular, she has released an e-book, How to Write for Magazines, which is a synthesis of the class I mentioned earlier. I have it, it’s excellent.

Their Links page is worth the price of admission. It’s enormous; I don’t have room to fit all the topics here. That alone is worth seeing; I highly recommend you check it out. She’s even got a section on Rights and Copyright, which is always an important thing to understand.

Most importantly, they do accept submissions! Since they have nearly 600 articles already, it’s important to double-check their guidelines, but check it out!

Posted in Uncategorized | Tagged A. Catherine Noon, Industry/Business, Reference, Reviews, Tools, Writing

Dark side of Intimacy

Writer Zen Garden Posted on September 17, 2008 by a.catherine.noonSeptember 17, 2008

Over the last couple of months I have been exploring Friendship, Intimacy and of course love. Poems on Friendship, Intimacy and Lust have demanded that I write them and today’s poem has been insistent to be written too. Thinking about emotions and feelings has led me to realize that not all relationships are healthy! So, I have written a poem I believe expresses in part, the dark side of relationship…

Temptation

Temptation whispering
Clouding the mind
Crawling inside her

Desperate need
Craving release
Exacting its price

Sleepless night
Thoughts won’t cease
“Give in”, they whisper

Early morning light
Illuminating
Untamed yearnings

Selfish desire
Calling his name
Branding anxious flesh

Heart of stone
Conscience bleeding
Dead to truth

Impossible to deny
Giving into temptation
Lost in betrayal!

Links to poetry on: Intimacy, Friendship

Posted in Uncategorized | Tagged Poetry

Vein of Gold–Alchemy Exercise

Writer Zen Garden Posted on September 14, 2008 by a.catherine.noonSeptember 14, 2008

Vein of Gold–Alchemy Exercise

In the book ‘Vein of Gold’, I found one exercise particularly interesting. It is titled ‘Alchemy’. It consists of taking the destructive and painful words that were used to describe us as children and converting them into strengths, or positives. As in the ancient belief that alchemy as a science could convert a common metal like lead into gold, so are we to take these ‘wound-words’ and find their gold–or make that–silver lining.

Often, parents and teachers will find a child’s gifts threatening or disruptive. Through these words they are able to tamp down that talent in an effort to make the child behave, or in worse cases, maliciously to scold, ridicule or shame. Eventually, after hearing these judgments over and over again, the child begins to believe them.

A partial list of some of these destructive words might include, but is certainly not limited to: dreamer, impractical, irresponsible, lazy, weird, too sensitive, unrealistic, silly, childish, grandiose, foolish, not disciplined, not focused, selfish. Have any of these words been used to describe you in an unkind way?

Taking these hurtful memories and accepting them has a therapeutic effect, like cleaning a wound is necessary before it can heal properly. It can be painful, but with a pinch of compassion and some creative thinking we can see the very weaknesses we were derided for, are really the strengths that make us the creative people that we are.

For example:

Dreamer can be converted to—-Imaginative

Eccentric becomes—-Original

Obsessed makes one—-Focused

Silly turns into—-Playful

Unrealistic means—-Generous

Too sensitive changes into—-Passionate

There, you get the idea. Now, make a list of ten of those labels that have been used to abuse your self esteem and creativity and ‘convert’ them into gold.

Now you have your list of Golden Words, ‘consecrate’ them; make them real, the new you and not the old. Post them on cards, decorate them with calligraphy, glitter, illustrations, anything to make them more valid and vivid to you.

Take these new descriptions of yourself and tape them on mirrors throughout the house, pin them up at your desk at work, or on the door so you are reminded of the new and positive you each time you leave your home and venture into the world.

Posted in Uncategorized | Tagged Evilynne, The Artist's Way

Writing Reference Series #1

Writer Zen Garden Posted on September 10, 2008 by a.catherine.noonSeptember 10, 2008


A while back, I went on a ‘craft-building’ book buying binge. Over my next few Wiley Wednesdays, I’ll be talking about what I took away from each of them. One repeating pattern I found was that several of the books had lists of other handy reference. At the top of almost every one of those lists was Strunk & White’s ‘The Elements of Style’ – a short text that packs a real wallop, and definitely the place to begin. In short, I wish I had read this book three years ago. It would have saved me a lot of time.

William Strunk Jr. was an English professor at Cornell in the early 1900s. He taught from his own ‘little book’ – a concise text he wrote to cover the basics of grammar and composition, originally published in 1869. At 105 pages, including forwards and index, it truly is little. But little is too small a word. E. B. White (Stuart Little, Charlotte’s Web) was a student of Mr. Strunk, and decided much later in his career that Strunk’s ‘little book’ could serve a much broader audience. The text was revised in 1935, 1959, 1979 and 2000 – and everything in it still bears repeating. In his original introduction, Mr. White describes the book as, “seven rules of usage, eleven principals of composition, a few matters of form, and a list of expressions commonly misused . . .” All of these are centered around one theme, that edict pounded home by Strunk himself:

Vigorous writing is concise. A sentence should contain no unnecessary words, a paragraph no unnecessary sentences, for the same reason that a drawing should have no unnecessary lines and a machine no unnecessary parts. This requires not that the writer make all sentences short or avoid all detail and treat subjects only in outline, but that every word tell.

I won’t run through every rule here. They are neatly numbered and stated with very clear examples in the full text, and I highly recommend you pick up the book and read it from cover to cover several times, as I did. The full text is also available online. Instead, I’ll skip the grammar stuff, and cut straight to the elements of composition I wish I had learned by studying this text, rather than the hard way (i.e. sludging along cluelessly until someone pointed it out to me the twelvth time).

13. Make the paragraph the unit of composition. To some, this may come naturally. To others, it is something pounded into our heads by 6th grade teachers. Still others struggle. But it’s quite simple, as laid down by Strunk. Writing is a series of thoughts. How we compose and gather these thoughts either facilitates or hinders how the the reader understands. In summary: one idea per paragraph. Introduce it. Add detail. Conclude or sum up.

14. Use the active voice. Ugh! I can’t tell you how long people were saying ‘that’s passive voice’ before I knew what they were talking about. And finding someone to clearly explain it had me tearing my hair out. In general, passive voice takes the action away from your subject and misplaces it. According to Strunk, the active voice makes for more ‘forcible’ writing. But, examples do far better (from the text):

“I shall always remember my first visit to Boston.” Not, “My first visit to Boston will alway be remembered by me.”

Not, “At dawn the crowing of a rooster could be heard.” But, “The cock’s crow came with dawn.”

In general, when scanning for passive voice, the words would, could, was and were are indicators. However, this is not to be confused with the progressive past tense: “I was walking through the woods.”

15. Put statements in positive form. Basically – don’t describe what is not happening, describe what is happening.

Not, “He was not very often on time.” But, “He usually came late.”

Not, “She did not think that studying Latin was a sensible way to use one’s time.” But, “She thought the study of Latin a waste of time.”

As you can see, the affirmative is usually more direct and concise. It also sounds less ‘wavering’. Be definite in what you say. Oh, wait . . . that’s number 16.

16. Use definite, specific, concrete language:

Not, “A period of unfavorable weather set in.” But, “It rained every day for a week.”

Usually, this means you will give more specific details. If you are trying to make a general statement, do so, but make it concrete and definite. At least knock out two of the three:

Not, “She seldom enjoyed visiting her aunt.” But, “He hated visiting her aunt.”

17. OMIT NEEDLESS WORDS. This is by far Strunk’s most important point, linking back to his main theme. Omit needless words. Omit needless words! You’ll find this easier at the edit phase. I don’t recommend having this mind set when you are drafting, because when you haven’t written anything, one could argue every word is needless. But once you have a draft, you’ll find there are a HUGE amount of ways to rephrase to use less words or to simply cross out the ones you don’t need, without losing meaning. Some examples of classic needless words are often: that, because, as to, for. Also stall phrases, such as: started to, began to, almost, was going to, etc. Strunk lists several examples of his least favorite needless phrases, which you’ll find very useful. Cut to the action, and . . . OMIT NEEDLESS WORDS.

I think that is a good start, and a fair chunk of some of Strunk’s most important points. As stated above, I highly recommend reviewing the text in its entirety. Adding these feathers to your editing cap will most certainly help you to write concisely, without losing meaning.

Happy writing!

-Gwen

Posted in Uncategorized | Tagged Editing, Reference, Tools, Wiley Wednesday, Writing

Thursday 13

Writer Zen Garden Posted on August 28, 2008 by a.catherine.noonAugust 28, 2008

Most of the contributors of the Writer’s Retreat Blog participate in the weekly meme, Thursday Thirteen, so every Thursday we link to the individual sites of each writer’s TT. Hopefully, this helps you get to know each of us a little better. This week we’ve got:

Catherine: 13 Things I Carry With Me

Eaton Bennett: 13 Reasons I wasn’t doing a TT

Dawn: 13 Beloved Characters

Posted in Uncategorized | Tagged A. Catherine Noon, Thursday Thirteen

Wiley Wednesday 08/27/2008

Writer Zen Garden Posted on August 28, 2008 by a.catherine.noonAugust 28, 2008

The Peripatetic School

Peripatetic:

ADJECTIVE:
1. Walking about or from place to place; traveling on foot. 2. Peripatetic Of or relating to the philosophy or teaching methods of Aristotle, who conducted discussions while walking about in the Lyceum of ancient Athens.

NOUN:
1. One who walks from place to place; an itinerant. 2. Peripatetic A follower of the philosophy of Aristotle; an Aristotelian.

ETYMOLOGY:
Middle English peripatetik, from Latin peripat ticus, from Greek peripat tikos, from peripatein, to walk about, or from peripatos, covered walk (where Aristotle allegedly lectured) : peri-, peri- + patein, to walk.

http://www.bartleby.com/61/55/P0195500.html

So. What does peripatetic have to do with writing? Good question. I was reading Julia Cameron’s work and she commented that several writers belong to the “peripatetic school.” My first thought was, what the heck is peripatetic? Then it was, what does walking have to do with writing?

Well, try it, then you can tell me.

I should just stop the essay there, but I’ll be kind. For me, walking is something that slows me down to human speed, rather than caffeine speed, stress speed, or I have to finish twenty things in time enough only for ten speed. Walking is repetitive. There’s not much more than pick up one foot, put it in front of the other. Lather, rinse, repeat. This allows the mind to wander while the feet, well, wander.

How is this of benefit to writing?

Well, try it, then… you get the picture.

It’s strange how we get so into our own heads when we write. Our own heads are not necessarily the most helpful places to be when writing, either. But instead of fighting with our internalized voices, next time you are stuck try getting up and walking around the block for twenty minutes. See what interesting insights might bubble up for you.

Besides. You can dazzle and confuse everyone by telling them, “I’m part of the peripatetic school.” “Really? What degree are you getting?”

Posted in Uncategorized | Tagged A. Catherine Noon, Reference, Reflections, Tools, Wiley Wednesday, Writing

Converted

Writer Zen Garden Posted on August 27, 2008 by a.catherine.noonAugust 27, 2008

Many members of our group have already done the Artist’s Way workshop and the following books with Catherine, but I’m a first-timer.

Ever have those things that just happen to fall right into your life, right when you need them? I’ll be honest, I resisted this for a while, thinking I didn’t have the time, or even (yeah, ego, I know) that I didn’t need it because it’s supposed to help blocked creativity, and I wasn’t blocked.

Well.

Skepticism. Yeah – there’s a section on that in this book. There’s also one on synchronicity. And I’m now a believer.

I’m on Chapter 3 and I can already see the way I view myself as an artist, and creativity in general changing and morphing. The back cover touts the Artist’s Way as the ‘seminal book on the subject of creativity’ and it’s true. It really is.

I have been trying to put my finger on what exactly it is, because I think part of the reason I resisted so long was that the actual SCOPE of this book was never adequately described to me. But it cannot be adequately described.

It’s subtitle: ‘A Spiritual Path to Higher Creativity’ doesn’t do it justice. I think the only way to describe it is to say that wherever you are on the road, you can get something from this book. I thought I didn’t need it, but then, when I finally gave in to peer pressure, I found I needed it more than I ever could have imagined. And I truly believe that no matter when I might have picked it up, I would have needed it then too, and taken something different from it.

From an objective position, Ms. Cameron has an amazingly soothing and engaging voice. Her thoughts are well organized, thoroughly informative and totally applicable. In short, I think everyone should read this. I can’t think of a single person in my life who won’t take something away from it. And I know, just like all my friends told me (yeah, I know . . . I’m a stubborn arse, but you love me anyway), I will do it again and again, and take something new away each time. I’m officially on board now.

Buy it. Read it. Live it.

And that’s all I have to say about that.

Posted in Uncategorized | Tagged Motivation, Reflections, The Artist's Way

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