Tag: Writing

  • Z Is For… A Zen‑Like Wrap‑Up!

    Z Is For… A Zen‑Like Wrap‑Up!

    As April comes to a close, we find ourselves at the final letter of the A to Z Challenge — Z, the soft landing at the end of a month‑long creative journey. This year’s theme, The A to Z of Creative Practice, invited our community to explore the many ways we make, imagine, reflect, and grow as artists and writers.

    And what a month it has been.

    Each day brought a new voice, a new perspective, and a new facet of creative life. From Attention to Practice to Yes!, our members shared insights, stories, tools, and encouragement — a collective reminder that creativity is not a solitary act, but a shared ecosystem.

    A Month of Many Voices

    This year, we were fortunate to feature nine guest authors, each bringing their own lens on creative practice:

    • Tina Holland — Bravo, Education, and Travel
    • Rachel Wilder — Characters and Signs
    • Laura Rios — Demos and Discussions, Initiative, and Preparation
    • JaeSage — Gregarious Gusto, Journaling, Liberation, and Resilience
    • Nicole — Observation and Quest
    • Annette Grantham — Friction!
    • Alexandra Sissulak — Unusual Approaches
    • Carol Baxter — V Words for Writers and Xanthippes
    • Evey — Yes!

    And woven among them were posts from our in‑house contributors, including reflections on Attention to Practice, Kindness, and Noon & Wilder.

    Every post added a thread to the tapestry. Every voice shaped the month.

    What We Created Together

    Across April, we explored:

    • craft and craftiness
    • momentum and pause
    • friction and flow
    • signs, symbols, and stories
    • the ways travel, observation, and unusual approaches enrich our work
    • the power of community, curiosity, and kindness

    The A to Z Challenge is always a marathon, but it’s also a celebration — a chance to show up, share, and witness each other’s creativity in motion.

    A Moment of Gratitude

    Thank you to every contributor who wrote, drafted, revised, and hit “publish.” Thank you to every reader who followed along. Thank you to everyone who showed up in whatever way they could this month.

    Creative practice is built on small, steady acts. This April, we made them together.

    Z Is for… Zen

    As we close the month, Z invites us into a moment of quiet appreciation — a breath, a pause, a settling. The work continues, of course, but today we honor the journey we’ve taken.

    And if you’d like to keep the momentum going, remember: Writer Zen Garden sends out a community newsletter on the first of every month. It’s a gentle way to stay connected, catch upcoming events, and keep your creative practice nourished all year long. Click here to subscribe.

    Here’s to the stories we told, the ideas we sparked, and the community that held it all.

    Happy Z‑Day, friends.

  • Y Is For… Yes!

    Contributed by Evey Brown.

    You have heard the old adage, “Write what you know.”  Well that definitely limits what you can create.  Unless, you are open to every new thing out there.  May I humbly suggest that you say ‘YES’ to each opportunity that presents itself.

    That bird watching class offered in your neighborhood…YES

    A  Toastmaster’s meeting with your friend…YES

    A writing conference next month in Las Vegas…YES.

    That tai chi class offered at the local college…YES.

    Free Spanish lessons on Duolingo…YES.

    Creativity guru Julia Cameron recommends ‘restocking the well’.  A concept she describes as adding to our reservoir of images and memories we draw from when we create. Each new idea can become fuel for our creative fire.

    Some opportunities to learn appear by chance; I remember stepping into a candy store that displayed literally hundreds of different brightly colored treats in glass bins.  The effect was staggering;  so many colors, memories and smells in one small place.  New flavors, old favorites and foreign mixtures of sweetness.  I wandered the small area for the longest time, soaking in everything with my eyes, and some tasting as well.

    Others come from keeping your eyes open and ‘seeing’ what is around you. I scanned the vast expanse of the library. Ours is built as an open courtyard design that allows you to glimpse each of five floors going up, the shelves stuffed with books of every size and color.  Racks of magazines with glossy photos on the covers, paintings on the walls and statuary sprinkled throughout.  An oversized mobile hangs from the ceiling above, shiny pieces of metal cut to resemble books with wings, it sways gently in the open space. I couldn’t help but tip my head back and gawk at the sheer number of possibilities available to grasp in this relatively small space.

    Possibilities abound buried in your past; they could be as simple as that huge box of 64 Crayola crayons you had as a child. With names like Burnt Umber and Cerulean; sometimes I had more fun discovering the names than actually using them on paper.  Last year I found they have neon and metallic versions.  And new this year, Easter Pastels!

    Technology can bring you close to almost anything you have an interest in.  Virtual tours of the Louvre Museum, interviews with people of note and access to almost every song and form of music that has ever existed. If you’re not out there exploring, the fault is yours.  Consider saying yes to the next opportunity that presents itself, you could find inspiration for your next story, painting or dream.

  • X Is For… Xanthippes!

    X Is For… Xanthippes!

    Contributed By Carol Baxter. Visit her on the web at Tales of a Lifetime and Garden Bug Books.

    My bruncle named the one-quarter St. Bernard three-quarter Sheepdog he brought home as a gift to me Socrates. A year later, he brought Socrates a mate, Xanthippe. At age 11, I never thought to ask him how he knew her name – My bruncle was an art student at the time so, perhaps it was an art history study of Socrates, His Two Wives and Alcibiades by Reyer Jacobsz van Blommendael. Completed in 1675, the painting depicts the famous Greek philosopher Socrates with wives, Xanthippe and Myrto, as well as Alcibiades, long before he was a statesman. (You can see the painting on Wikipedia – Xanthippe is pouring water on Socrates’ head as he oogles Alcibiades.

    You may have heard, as I did, that Xanthippe was a shrew, based on no evidence other than the word of a couple of dudes, but that is another blog post entirely.

    Imagining what if and/or unboxing your feelings using your medium of choice is part of creating. Maybe the latter is what van Blommendael did when he repeated that Socrates’ wife Xanthippe was ill-tempered back in 1675.

    What if the painter’s lover had just told him, “Nay. I deny your pleasure to rut. Thou reeketh of smoke from the Golden Ram. I can see the wine spilled high enough on your doublet that the barmaid must have sat upon your lap whilst pouring. To encircle my voluptuous figure with your arms is a reward no statesman can ever grant.”

    Perhaps after Xanthippe set the water jug down, she told Socrates, “May Alcibiades and his skunk-striped cur infest you with fleas. Myrto and I are off to the Temples of Themis and Dike to pray for the right to vote. The Oracle at Delphi predicted it would be nearly three centuries, but we want the right expediently.”

    Research is important – there are no skunks in Europe. (Except the men who denied women the right to vote.)

    Beyond Xanthippe, what the heck would writers, readers, and alphabet enthusiasts do without the letter X?

    • Abbé Faria and Edmond Dantes were excited about the “X” on their pirate treasure map just as Indiana and his pop were thrilled to find the X in The Last Crusade.
    • I can now mark “x” on my longer-than-it-needs-to-be to-do list next to write about X for Writer Zen Garden. (Annette Grantham’s F is for Friction)
    • The kiss in kisses and hugs! (I’ve used “xo” singly to mean “Kiss off.” Don’t tell my secret!)
    • Which leads me, because there is always a tune track live in my head, to a favorite song by Elle King, Ex’s and Oh’s.

    Do you have an adventurous list of excellent words? Here’s mine for X:

    • Xylophone – Again, music!
    • Xenolith – A rock within a rock.
    • Xenogenesis – The fancied production of an organism altogether and permanently unlike the parent. (I fell into Tina’s “rabbit hole of research” to find this word.)
    • Xylem – The vascular system of plants is important to a couple of my novel drafts.
    • Xerox – How I would distribute a copy of this essay back in the day.
    • X used as a name signature by the unfortunately illiterate.
    • The “X” of the Elder Futhark Runes stands for “g” in our modern alphabet and means gift.
      • I guess the meaning follows true because the words xenial and genial mean similar things, hospitality and friendliness. Here’s to Rune X, invitations and hellos.
    • There is a left-slanted X in the Elder Futhark Runes. It means need, constraint, or hardship.
      • Drew Davies told Author Nation 2025 attendees that writing constraints are a good thing.
    Image of "Runes, The Elder Futhark," with individual renderings of the runic alphabet and their meanings.
    Image used under license from Adobe Stock Images: https://stock.adobe.com/images/futhark-futark-runic-alphabet-and-its-sorcery-interpretation/82020962.
  • W Is For… Wilder!

    W Is For… Wilder!

    Contributed by Rachel Wilder.

    Picture of fox face with the caption "Hey you!"

    In any creative endeavor I believe that it’s important to take credit for your creation. Be proud of it ! You just created something that is unique to yourself. And, in some cases, shared it with others.

    In my case, I write so I debated on choosing a penname.

    I envisioned us becoming famous and realized that I would never remember to respond to a new first name. This might be mildly embarrassing when myself and my co-author, A. Catherine Noon, are asked to be guest speakers at writing conferences etc.

    So, I stayed with Rachel.

    I wanted my last name to express my vast imagination and passion. I also wanted something fairly short for book signings. I originally considered Wilde and then realized my own last name ended with an ‘r’ and liked my signature with the upswept pen stroke.

    Hence, Rachel Wilder was born.

    So, everyone, my question is… do you mark your creations with your name, a penname or perhaps your initials or a symbol?

    How did you decide?

    Enquiring minds want to know.

     

  • V Is For… V Words For Writers!

    V Is For… V Words For Writers!

    Contributed by Carol Baxter

    Vinchristine – I have always thought this word sounds like a fancy title or the name of a ship. (Tis an alkaloid derived from periwinkles.) As a writer, I could take liberties with the spelling as well as the character, hmmmm…

    Veracity – what we seek from our critique groups when they read our not-quite-final draft.

    Validation – the support we get from belonging. Thank you, Writer Zen Garden!

    Vicarious – one of the reasons we read, to live another life.

    Vulnerable – an emotion we tap into to help make our characters real. Maybe an emotion we feel when looking at the blank page.

    Veritas – Truth. Write yours. Vociferously!

    Vivid Versatile Visualization – Waves crashed over the bow of The Vin Chrystine as she raced towards the setting of the planet’s largest moon. That’s my story and I’m stickin’ … but wait, should it be: The Vinchristene stared at the waters where she was to meet her demise as a sacrifice, or emerge winged and victorious. No one ever emerged winged and victorious. The tribe did not believe in infinite possibilities, but she did.

    Vacillate – it did not work for Hamlet, so as the Greek Goddess Nike said in the late 80s, just do it. (And by do it, I mean write the story.)

    I think “win” defined as “victory-lite” means that a bunch of wins (Tina Holland’s B is for Bravo) lead to VICTORY. Guess VICTORY of finishing a novel would not feel like such a win if it were as easy as writing a themed blog post about the letter V.

    Now is the time for me to volti and get back to work on my novel.

  • T Is For… Travel! (and the Stories It Brings Home)

    T Is For… Travel! (and the Stories It Brings Home)

    Contributed by Tina Holland.

    If you’ve read my bio, you already know—I love to travel.

    When Writer Zen Garden plans our annual Founders Retreat, I’m always the first to say yes… with one small caveat these days: I’d like a bed. Apparently, this is what growth looks like.

    I travel for retreats, conferences, and—more recently—for myself.

    Image of Castle Clontarf graveyard under a cloudy sky.
    Image Copyright 2026, Tina Holland, All Rights Reserved. Used with permission.

    This past February, I took a solo trip to Ireland. I stayed in a castle and wandered through the village of Clontarf on my own schedule. My philosophy for the trip was simple: if anything went wrong, at least I’d be in a castle.

    (It’s a solid plan, honestly.)

    That mindset came from experience. The year before, at Author Nation, I picked up a bug—likely from travel—and spent most of the event feeling under the weather. It wasn’t anything serious, but it was enough to remind me that travel asks something of you physically.

    So this time, I prepared.

    I started my Airborne brand supplement before the trip. I packed light—a single backpack for my overseas flight—which made navigating customs easier and gave me flexibility. I brought snacks (essential), loaded my tablet with books (just in case), and planned for rest if I needed it.

    And I did.

    After an epic 24-mile walk one day, I spent the next curled up reading while the Irish weather did its thing outside. It wasn’t part of the original plan—but it became one of my favorite moments of the trip.

    Because here’s the thing: travel, as a creative practice, isn’t just about going somewhere new.

    It’s about paying attention.

    It’s the sensory details—the way a place feels, the rhythm of a different routine, the quiet moments you wouldn’t have made space for at home. It’s also about caring for yourself well enough to actually experience those things.

    Over time, I’ve built small travel rituals:

    • Preparing my body before a trip
    • Packing in a way that reduces stress
    • Bringing comforts from home (tea, snacks, a good book)
    • Allowing space for rest, not just activity

    These aren’t just practical habits—they’re what make creativity possible while I’m away.

    Travel has a way of seeping into the work, often when I least expect it. Recently, I wrote a scene set in a castle, and my critique group, Word Weavers, told me I captured the atmosphere perfectly.

    It probably helped that I had just been there.

    That’s the gift of travel. You don’t just bring back photos or souvenirs.

    You bring back texture. Memory. Feeling.

    And sooner or later… it finds its way onto the page.

    Your turn: Have you ever traveled somewhere that later showed up in your creative work?

  • Q Is For… Quest!

    Q Is For… Quest!

    Contributed by Nicole.

    A quest is the arc of your writing. It is the progression of your work to its end. It does not have to be a grand thing: it can just mean that your quest is to provide information, like news articles or a masters’ thesis.

    In the case of fiction, your ‘quest’ the arc of your story. It does not have to be an epic endeavor (At least on your character’s part-we all know the effort that goes into writing!). You don’t have to be on the scale of Tolkien’s Lord of the Rings or Eddings’ Belgariad; it can be smaller with less stakes.  Sometimes, you are just not in the mood for a world saving quest. There is now a subgenre that is called ‘Slice of Life’ where the quest is just to shuck the trappings of an ‘epic’ journey and start a life in an out-of-the-way place in a fantasy setting. Travis Baldree’s ‘Legends and Lattes’ is a very good example of this. Your characters have to have a goal to work toward and your story is the record of their work, trials and tribulations toward that goal.

    Writers have their own quest: finish a body of work. That quest can be a little daunting. It requires effort, commitment, and attention to detail. May you have good fortune in that journey.

     

     

  • O Is For… Observation!

    O Is For… Observation!

    Contributed by Nicole.

    Observation for writers is both a key factor and our personal hell. We observe our environment, people and the world around us and transmit that through our writing. It’s our personal hell because how you transmit those observations can be very difficult.

    In the case of a fiction writers, how a character examines and interacts with their environment affects the narrative. How you communicate their observations has to be tailored to the individual or to the situation. For instance, a ten-year-old child is going to view the world in a significantly different way from a battle-hardened veteran. The way the information is relayed to the reader sets the tone and drives the story.

    Observation can be a tool to get yourself out of a rut. I take a blank notebook to a busy place like a park or a mall food court and watch people. Why is that particular woman going into the jewelry store? Is she picking up a gift? Is she arranging to have her jewelry cleaned? Maybe she just learned that her partner is cheating on her and she’s buying something to make herself feel beautiful and valued. What about the buff looking guy grabbing pizza? Is he cheating on his diet plan and worried that his coach will find out? Maybe he’s an MME fighter and he’s plotting ways to impress the female opponent who beat him last week and he knows that she hits the smoothie place next door? Looking around and asking ‘why’ and ‘what if’ is an affective way to take your characters in new directions or have them approach a problem in a different way.

    Observation becomes a writer’s personal hell because we are compelled to relay how we view the world and that is difficult. Finding the words to give a picture that can be understood is hard-don’t let anyone tell you differently.

    In the end, writers are observers and the way we communicate our views is how we write, so ‘O’ is for ‘Observation’.

  • M Is For…Muse! (and Making Space for It)

    M Is For…Muse! (and Making Space for It)

    Contributed by Tina Holland.

    It feels a little strange to talk about muses in the modern age.

    And yet… I’ve had one.

    He was an elderly chocolate lab named Kaiser, who used to sit with me. Or, more accurately, nap while I wrote. My husband liked to say, “I see Kaiser is musing”—turning it into a verb, of course.

    These days, the “office” looks a little different. The cats (Dopey Darkness and Thomas O’Malley Cat) and the dogs (Kraken and Indigo) often beat me there. If they’re already settled in, my husband will say, “You’re late—the rest of the office is already in.”

    It makes me laugh, but there’s something quietly true about it too.

    Because maybe the muse isn’t some distant, mystical force.

    Maybe it’s presence.

    You’ve probably heard the phrase “feed your muse.” In creative practice, that usually means stepping away from the work itself and doing something adjacent—reading, crafting, walking, daydreaming. For me, it’s often scrapbooking or getting lost in a good book.

    These moments matter. Not because they produce immediate results, but because they refill something deeper. Every so often, they spark an idea or unlock a stubborn scene—but even when they don’t, they’re still doing important work.

    In a world that constantly pulls at our attention, the modern muse can feel elusive. Not gone—just… drowned out.

    So the question becomes: how do we make space to hear it again?

    For me, it’s intentional quiet.

    When I’m blocked or overwhelmed, I carve out time with no distractions—no TV, no phone, no scrolling. Just me, a book, or a simple creative project. I don’t pressure myself to write in those moments. In fact, I try not to think about writing at all.

    Because the truth is, when I’m blocked, I’m a little fragile.

    And staring at a blank screen, willing the words to come, usually makes it worse.

    So instead, I step away.

    Over time, I’ve learned to give that space a little more room—to treat it not as avoidance, but as part of the process. A necessary pause. A quiet reset.

    And more often than not, when I return… the words are waiting.

    Maybe the muse was there all along.

    Just… resting at my feet.

    Your turn: What helps you reconnect when your creativity feels out of reach?

  • K Is For… Kindness, Keeping Momentum, and Knowing When to Pause

    K Is For… Kindness, Keeping Momentum, and Knowing When to Pause

    By Noony — The A to Z of Creative Practice

    Creative practice isn’t a straight line. It’s not a sprint, and it’s not a test of endurance. It’s a relationship — with your imagination, your energy, your body, and your life. And like any relationship, it thrives when we treat it with a blend of compassion, consistency, and rest.

    Today’s K‑post brings together three pillars that support a sustainable creative life: Kindness, Keeping Momentum, and Knowing When to Pause.

    Kindness: The Foundation of Creative Growth

    We’re often taught that creativity requires discipline, grit, or pushing through resistance. But in reality, the most powerful creative breakthroughs come when we treat ourselves with gentleness.

    Kindness looks like:

    • giving yourself permission to be a beginner
    • celebrating small wins
    • acknowledging the emotional labor behind creative work
    • letting yourself rest without guilt
    • recognizing that your nervous system is part of your creative ecosystem

    When we approach our practice with kindness, we create space for curiosity and play — the true engines of creativity.

     

    Keeping Momentum: Small Steps, Big Shifts

    Momentum doesn’t come from huge bursts of effort. It comes from tiny, repeatable actions that keep you connected to your creative self.

    Momentum can be:

    • writing one paragraph
    • sketching for five minutes
    • jotting down a single idea
    • reading a page
    • revising one sentence

    These micro‑movements keep the creative door open. They remind your brain, “We’re doing this. We’re still in the flow.” And over time, they build a body of work.

    Momentum isn’t speed — it’s continuity.

    Knowing When to Pause: Rest as Creative Practice

    Every creative cycle has a natural ebb and flow. Pausing isn’t failure — it’s part of the rhythm.

    Knowing when to pause means:

    • listening when your body says “enough”
    • stepping back when life is loud
    • letting ideas simmer
    • trusting that rest is productive
    • honoring your capacity

    A pause is not the end of momentum. It’s the breath that makes the next movement possible.

     

    The Blend: A Creative Practice That Sustains You

    When you combine kindness, momentum, and rest, you create a practice that supports you through:

    • busy seasons
    • emotional days
    • low‑energy moments
    • bursts of inspiration
    • long-term projects

    Creativity becomes less about forcing output and more about tending a living, breathing relationship with your imagination.

    So today, let K remind you:

    Be kind to yourself. Keep moving in small ways. And pause when you need to.

    Your creative practice will meet you exactly where you are.

     

    What’s one small act of kindness you can offer your creative self today?