Grab a snack, your favorite warm or cold beverage (depending on your hemisphere) and enjoy a short read with us!
Thursday Thirteen Feb 18th
It’s that time of the week again! The writers of the Writer’s Retreat share our TT spirit! Join us!
Road Rage
The other day I was driving home from my day job and watched an unknown vehicle cut off the poor, anonymous driver behind the wheel of another. For some reason, that cool disregard for the consequences to the victim brought something very different to mind. I thought of certain individuals one can often find within on-line writing communities. There are those everywhere who consistently put down the efforts of others and I think they’re a little like that reckless driver.
Sometimes a slight is presented as some sort of vaguely stated “constructive” criticism. The critic might try to tell the author that what he or she penned is somehow wrong. Is there a correct verb tense or point of view? I think not. Most aspects of storytelling are not good, bad, right, or wrong. Outside grammar, and sometimes not even that according to more experimental stylists, the choices are spawned by societal fashion and individual taste.
But why do I compare these persons to rude drivers? Sometimes, fellow travelers, it’s because they simply want your car out of the way! “Get off the road,” they would say if they realized their own true intent. It’s what I want to tell the driver who adds precious minutes or even seconds to my short commute. “Get out of my way!”
These folks might be stuck with writer’s block or face some form of rejection that has hurt their pride. This critic might unconsciously want others to suffer, as well. Others might have some superior notion that they are better and should be teaching others how to “drive” even though they lack the credentials. Some aggressors might careen through traffic leaving accidents in their wake in the form of defeated writers who end up believing they don’t have the talent. I believe that there are many gifted people who fear rejection to the point of eventually just leaving their car in the garage.
This makes me sad. Writing is a vehicle that needs to be driven or it rusts and falls apart. For me, it’s the best, fastest, and safest way to travel outside myself for a time. And if I’m lucky, perhaps I’ll connect with likeminded acquaintances through my story. I’ve found enough kindly souls encouraging me to make more of these ventures. These friends fuel my tank and help map out new places for me to go. And each of us reacts slightly differently to the road rage crowd that can dent our ego if we let them.
Some us might be fearless behind the wheel of our tank-like SUV and not worry so much about what the other driver intends. These people power over or maneuver around obstacles that lie in the direction they want to go. On the other hand, the same pothole might wreck someone in an economy car.
That poor lad or lass gripping the wheel of a tiny sedan can feel fragile and intimidated by aggressive drivers that hog the road and only care about their own destination. That soul might wisely take a different route rather than risk being driven off the road.
I think I’m somewhere in-between. I’ve got a powerful engine and sit comfortably surrounded by lots of airbags in my sporty little roadster. What about you?
Wherever you’re at in my silly analogy, I wish you a safe and pleasant journey. Maybe we’ll travel together for a stretch!
Friday Flash Fiction
Enjoy a brief respite from your day. Happy reading! Thank you for visiting.
Thursday 13 – Come Play With Us!
It’s that time of the week again! The goofy, the random, and the downright interesting! Come along with us as we take you on a ride of 13 things this Thursday!
Wiley Wednesday for the Technically Impaired
Never having taken a computer course in my life, I am picking up oddball tips and tricks every day. Many are thanks to kindly folks I’ve come to know online.
Others, like the one I found yesterday, have simply been dumb luck. Regardless of the learning process, these lessons are invaluable as I gradually switch from scribbling in notebooks to taking raw ideas straight to the keyboard.
I’ll warn you computer savvy folks that this procedure is probably nothing special. You might laugh and shake your head. I’ve decided that whether my simplicity gives you a chuckle or this message saves you bundles of frustration, it’s worth taking time to share.
My new discovery occurred when I plugged in my thumb drive to retrieve the latest version of a story. Instead of just thoughtlessly overwriting the file, I used “Save as” and selected the file from that morning. What a surprise to find additional options in the MS Word dialog box! I’m sure they’ve always been there and I never noticed. It happens with me.
This time, I noticed. I chose “Merge changes into existing file” out of curiosity and was delighted to find all the changed text in blue. Things I had deleted were crossed out while added words showed up with underlining. Simple, yet magic to my wondering eyes.
Right click on the blue text to either accept or decline the proscribed change! Why did it take me so long to find this? It’s easy!
Now go write, and be sure to save your documents as you go!
The Night Is a Harsh Mistress, Chapter 17: Palette Cleanser
A man wearing a brown wool pea coat entered the McDonalds by the front door. Rachel felt his gaze rake her but when she looked up, he stared at something in his hands that looked like a collection of coins.
Her phone just sat on the table like it died there. The minutes ticked by and she felt like they should have been booms, not soundless movements of the digital clock on her phone.
The man with the brown coat appeared carrying a tray with two apple pie boxes and a cup of coffee. He moved slowly, clearly trying not to spill his coffee. After he passed three empty tables, Rachel look over at him warily.
He sat down at the booth next to hers and opened the first pie with methodical, slow movements. As though he felt her watching him, his eyes flicked to hers.
It was Viktor.
He shook his head slightly but didn’t speak. He fished his mobile phone out of an inside pocket and typed out a text message. She looked back at her table, heart pounding, terrified she’d give him away.
When her mobile buzzed, she didn’t jump. She felt proud of that. She pulled it closer and read the message: ‘Go out to your car and wait 5 min. I’ll join you.’
She took a deep breath and resisted looking at him or confirming the message in any way. She took a sip of her soda and then got her purse. No one looked at her when she rose and walked to the side door. Her skin crawled as she strode around to her car, but nothing moved that she could see. Just to be safe, she circled her car once and even checked underneath. Nothing.
She sat down and locked the doors, then fastened her seat belt. She started the motor, hoping it didn’t sound too loud, and tried to stay calm.
Viktor appeared in the same doorway the young man with the trash used. He strode to her passenger door and the car bounced as he got in. “Let’s go.”
“Where?”
“Just drive.” He wiped his face with one hand and she caught a whiff of gunpowder, the sharp acrid scent that could only mean one thing: Viktor fired a gun recently.
Her heart surged into her mouth and she put the car in gear. She pulled to a stop at the entrance to the street.
“Turn left.”
She followed his cryptic commands, ‘Turn left,’ ‘Go right at the next light,’ for what felt like an eternity. The streets widened and the houses retreated from the road, spacious lawns appearing like magic. She caught the distant odor of water and knew they approached the River. They crossed into the wealthy section of town, palatial waterfront estates with Lexus and Beamers in the driveway – if any cars were visible, that is.
“Turn in at the next driveway,” he ordered softly.
“Viktor…”
Her protest, predictably, elicited no response from her silent passenger. She slowed and turned into the driveway. A tall iron gate swung open slowly, like a bison moving out of the way. A camera eyed them from its perch on the stone wall that spread out from the gate to line the road. A small gatehouse appeared on her left, complete with a silent man hulking in the shadow. He nodded at Viktor and ignored her.
She swallowed. “Where are we going?”
“It’s okay. Just drive up to the house. You’re perfectly safe here.”
“Because I’m with you?” It came out accusatory-sounding, but she didn’t take it back.
He shrugged. “If you wish.”
“If I…” She trailed off. “You are the most exasperating person I know!”
He chuckled.
It caught her off guard, the sound so out of place with recent events, that she had to concentrate to avoid running over a bush. For his part, he just flashed a twinkling eye at her and then stared at the house looming in front of them.
And boy, could it loom.
Three storeys tall, the brick edifice spread back from the driveway like wings. A square carport stood out over the turnaround in the driveway like at a motel, two lights on its front and two by the large oak door. Two men in black suits appeared and flanked the car, waiting for them to drive up. She pulled to a stop and unlocked the doors.
The man on her side opened her door. “Welcome, Miss Carmichael.” He held out his hand.
She realized he meant to let her hold onto him so she could alight from the car!
“Thank you,” she managed to mumble with fairly good grace. His hand felt warm against her skin and she shivered. He stepped back and let her move out of the way of the car door, then he closed the door.
“You can leave your car here for now,” Viktor interjected. “Follow me.”
She desperately wanted to ask where they were, but didn’t dare say anything in front of what were clearly two bodyguards.
But bodyguards for whom?
The massive front door opened onto a spacious entry hall floored in solid wood, something dark and highly polished. She wiped her feet on the mat just outside the door and stepped inside, feeling like the orphan Oliver. Another man, this time clad in a gorgeous beige suit and polished brown shoes, appeared.
His hair, black and curly, lay close to his head. His blue eyes crinkled as he smiled and she put his age at about forty. He wore a huge sapphire on the ring finger of his right hand and a plain gold wedding band on the left.
“This is the famous Rachel Carmichael,” he said with only a trace of a Russian accent. “Welcome to my home.”
“Raych, this is Aleksandr Chernoff. My father.”
The rumored head of the Russian mob in North America, Aleksandr Chernoff never appeared in the press. Wanted by four governments, not only the U.S. but Russia, Canada and England, he ran most of the Russian mob business in the English-speaking world and, some said, that in Russia as well. She felt her heart start to pound and then realized what Viktor said.
“Wait. Did you say father?”
Flash Fiction Friday
Every week, the writers of the Writer’s Retreat share stories they’ve written. This week is no exception; enjoy!
Thursday Thirteen
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Wiley Wednesday: Mind Mapping
It’s my week to write a Wiley essay, and as I was planning it, it hit me: I can write a Wiley about how I write a Wiley!
All kidding aside, there’s a very useful tool called a Mind Map that can help with anything from what topic to pick for an essay to where to go on vacation to what are the critical issues the Board of Directors needs to solve in the coming year. Let’s walk through one together!
This is a Mind Map that I drew up this morning as an example of how to do one; it focuses on “Wiley Wednesday.” See picture, below:
The first thing to notice is that the focus is at the center of the drawing, which starts out as a blank page. In this case, it’s “Wiley Wednesday.” When I’m writing these for actual use, I do not switch colors because it causes too much distraction from the process; I used different colors here to illustrate different trains of thought.
The key thing, and in my opinion the most important thing, to remember about Mind Mapping is that it’s Brainstorming (I capitalize that since I’m using it in this context as a topic). Brainstorming is about idea generation, it is not about idea selection. As such, ALL ideas go into the hopper, not matter how applicable. You never know. You might throw the idea “Zombie Movie Monster Mash” into the hopper and it sparks four new, solid ideas right on its heels.
Once you have your focus, just relax a moment and breathe.
No, I’m not kidding. Try it before you argue with me!
Seriously, this is a right-brain task, not a left-brain sequential one. The right-brain doesn’t think in the same way as our cognitive brain, and we need to work accordingly. By this time, you may have an idea or a glimmer of an idea. Great! Draw a line and write it down.
The lines radiating from the focus are the main topics. The lines radiating from the topics are related to that topic. When you’re working on a topic, like “Writing” or “Productivity,” and you get an idea that fits neither one of those two subjects, draw another main line from the focus and start a new sub tree.
You might find, like I do, that a normal letter-size piece of paper isn’t large enough. I like to use large placemats from restaurants, ledger size paper (11 inches by 17 inches), and I even have a roll of butcher paper at home that is fun to use (that’s about 36 inches wide and, well, a roll of paper. How much is there? Well, I’ve had this roll of paper since I was five, if that’s any indication, and I’ve still not used it all…)
Once you have as many ideas as you and, if you’re playing with friends, your group can come up with in a reasonable amount of time (don’t go for more than a half hour at one sitting), you’ve got your idea hopper. And I’ll wager you have a LOT more ideas than you’ve got time, which is always a better problem to have than an expanse of blank paper and no ideas at all.
Now go forth and Map your Mind!