Tag: Torquere Press

  • Day Two of the Keepsake Tour – Daylight Savings Time

    It’s the second day of the Keepsake Tour to celebrate the release of Emerald Keep and already, I’m pooped!  Of course, that may have more to do with the fact that it’s Daylight Savings Time and we’ve lost an hour of our day.

    Benjamin Franklin, inventor, politician, and writer, suggested that people could get more done if they got up an hour earlier.

    He should have kept this idea to himself!

    Tell me, Dear Reader, what other “Big Ideas” do you think should have been kept to their inventors and not foisted on the unsuspecting public?

  • Writer Wednesday – Elizabeth Brooks, A Tale of Trust

    With us today for Writer Wednesday is Elizabeth Brooks, author, editor, and avid amigurumist.  (Yes, I had to look up that one too.)  I’m pleased to bring you her guest post for today,

    A Tale of Trust
    Elizabeth Brooks

    Winnie waited as patiently as she could, nervousness roiling her belly. She wondered what the new master would be like — harsh or lenient? She hoped the new master wouldn’t be like the old one. Of course a master must have confidence and a certain ruthlessness, but Winnie’s previous master had been arrogant and unyielding, reluctant to listen to her desires, determined to shape her into a mold of his own devising. He had, at the end, bowed to her safeword, but sulkily. (At least he had bowed to it. Winnie had heard plenty of horror stories about those who didn’t.) But she had needs, knew that she needed a firm hand to keep her from stumbling awkwardly, and so here she was, again, waiting for a master. And hoping.

    ~

    Ellie studied the file before her. The sub was new to her, though the file contents bespoke some prior experience. She hoped this would be a good match. She’d had bad matches before, subs who were so wrapped in their own desires that they couldn’t bring themselves to trust Ellie, even briefly. One had been so rigid that he’d thrown the safeword at her with nearly every stroke, resisting her every attempt to define and shape him. She’d been forced to release him, unpolished, and not been surprised when his flawed glory failed to attract much attention. But each new sub was a fresh start.

    ~

    Each club had its own rules, and though Winnie was happy to comply, she had trouble keeping them all straight, and so the session began with some small corrections, matters of style that had barely hurt at all, just a series of red marks that disappeared quickly and easily. A couple of them had stung, but more from Winnie’s own humiliation than the master’s hand — some rules were near-universal, and she knew better! Then, both of them warmed, the master began with the larger corrections, and those had been more difficult. Winnie had hesitated several times, tasting the safeword on the tip of her tongue, but the master had been patient, gently insisting, “Try it and see.” And more often than not, Winnie had tried, and found that she appreciated the subtle grace that the master had drawn out of her… and the heat. Oh, the heat! The master’s hand had marked her and cut her and then built her up and smoothed her, the burn of those corrective strokes serving only to build Winnie effortlessly to her climax, and then gentling the shudders of her denouement.

    ~

    Ellie drew a slow, satisfied breath. The sub had proven very responsive indeed, bowing to Ellie’s commands, letting Ellie smooth the roughness and close the gaps. Ellie had demanded perfection, and had warmed inwardly at the sub’s earnest efforts. Yet the sub had let strength shine, too, forbidden Ellie to damage that vital core when she had inadvertently pushed too hard. Ellie loved a sub who would push back, when it was important. It made the trust between them blossom. Too soon, it seemed, the climax had come and gone, and the sub lay before Ellie, marked with red but panting in satisfaction, previously-awkward limbs and curves molded into elegant lines. Ellie blew one last, warm kiss, and released the sub to what she was certain would be a clamor to claim that beauty, polished to a shine by Ellie’s own hand.

    ***

    Of course I’m not the first to compare the writer/editor relationship to that of a submissive and dominant. It’s such a satisfying analogy, and it very well encompasses the rules of play, on both sides — the best relationships are marked by respect and clear communication on both sides, as well as a strong willingness to trust the other’s judgment. The Dom/editor needs to trust that the safeword/writer’s veto will be used when the sub/writer is unhappy — but that it won’t be used trivially. And the sub/writer needs to trust that the Dom/editor is working to make them (or their manuscript) into something brighter and truer, and not merely shaping it to their own design and ends.

    All in all, it’s a delicate balance of a relationship, and not without its perils.

    Me? Oh, I’m a switch. My safeword is “Oxford comma”.

    ***

    About Elizabeth

    Masquerading by day as an uptight corporate cog, Elizabeth spends her nights concocting gleefully smutty stories. She writes erotic romances for a wide span of worlds, genres, and orientations, and is also a senior editor for Torquere Press. When she’s not writing or editing, she loves a wide range of generally nerdy hobbies, including reading, photography, tabletop games, geeky yarncraft, and silly smartphone games. You can find her online at http://EveryWorldNeedsLove.blogspot.com or on Facebook at http://www.facebook.com/EveryWorldNeedsLove.

    Elizabeth’s latest release is Foxfur, available from Torquere Press (www.torquerebooks.com) on November 13:

    Pleasure-slave Cheng takes no particular note of the red-haired woman when she purchases his services. But the morning after her departure, Cheng is taken into custody by the Emperor’s own guards and brought before one of the rare and terrifying Chained Mages. Already frightened and confused, things go from bad to worse for Cheng when the mage reveals the demonic nature of the red-haired woman. Now not only Cheng’s life, but the lives of everyone around him, depend on their finding the fox-demon as soon as possible.

    As a Chained Mage, Jin is at best feared, and at worst, despised. But he can’t allow his personal feelings to interfere with his mission, not even when his admiration for the slave deepens. In fact, Jin’s love may result in a disaster. The fox-demon has placed a spell in Cheng, a spell designed to turn his sexual energy to a murderous ends, endangering himself and everyone around him. And worst of all, they’re not the only hunters on the fox-demon’s trail!

  • Writer Wednesday – One Writer’s Approach to Writing a Novel: Step 1 – The Picture

    In my previous post, I wrote about the process of writing a novel.  Today I wanted to discuss my first step.

    I start with a picture, or a sense of a scene like in a movie. I’m a very visual thinker, in that I think in images. I write the scene so I can put it into words, clarify it, make it real.

    I get images from anywhere. I see people in a park. I see an image on the internet. I get a scene in my head. I see something, some consequence or un-told potential story, in a television show or movie.

    The trick is to follow that thing you see in your head. I’ve had writers tell me, “I don’t write out of order.” Yet, these same folks are blocked and not moving forward on their story. “I see this thing over here, but I have to finish the first part before I can write it.” Why? Story is sacred. If you see it, write it. You can always go back to that first scene when you’re done. But if you have a scene in your head clamoring to get out, respect your own process and, by all that’s holy, put it down on paper or by keyboard.

    A couple resources:

    First, a book – Josip Novakovich’s Fiction Writer’s Workshop.
    In it, Mr. Novakovich gives you an entire chapter on “Sources of Fiction” wherein he gives you examples and exercises for finding inspiration for stories. In my opinion, this book is a must-have for writers and that particular chapter is a must-do.

    Second, a thought on pictures.
    Google Images is a treasure-trove of ideas, as are image-specific sites like Imgur. I love to browse BeatifulMag, a fantastic, gorgeous site (not work-safe) dedicated to the beauty of the male form.  My husband’s site, Wolfshead Photography, focuses on the female form; as does Charles Oliver Jones.  Wherever you find images that speak to you, write about them – who is in the picture? I don’t mean in a literal sense, as in “Who is that model.” No, I mean something deeper. In your mind, in the privacy of your own Story, who is that person? What are they doing? Where is that place? What’s going on there?

    Third, prompt yourself.
    Writing prompts are a writer’s gold. Learn how to use them. Search the internet for the word “prompts” and do one of them every day for a week. Gather some other writing-minded buddies and go to a café or quite place for 2 hours and share prompts in increments of 15 minutes’ writing time, 10 minutes sharing time until the 2 hours is up – I guarantee it will fly by.

    However you get ideas, trust them and write to them. Set a goal of filling a notebook a month with ideas, prompts, sketches, and miscellany. Play with your writing and write the same story three different times – once from the main character’s point of view, once from the villain’s, and once from you as the author writing about watching the events first hand. See what you learn and are inspired to write next.

    Then write that next thing.

    Above all, write.

    Write on!