Tag: Motivation

  • Thoughts on ‘The Vein of Gold’ by Julia Cameron

    I recently completed a book about f inding your creativity, ‘The Artist’s Way’ by Julia Cameron. I enjoyed it immensely and learned a lot; about myself, about letting go and pampering my ‘inner child’ and most importantly, about doing the things I really want to do.

    With this in mind, I am excited to begin another of her books, ‘Vein of Gold’. The author describes the ‘Vein of Gold’ in all of us as where we find our greatest creativity. We may be successful writers in many genres, comedy, angst, biography, but we all have our special niche where we do our ‘best work’, and that is our ‘vein of gold’.

    She uses the actress Merle Streep as an example. Ms. Streep has done excellent work in comedy (Death Becomes Her), musicals (Momma Mia) and suspense (Silkwood), but it is in her portrayals of ‘tragic women’ that we find her ‘luminous’. The grieving mother in ‘Sophie’s Choice’ is one of her best performances. No one would argue that her ‘vein of gold’ is to be found playing these tormented characters.

    Is this to suggest that she limit herself to this narrow field of films? Definitely not. I believe any actress would become bored with the same type of part each time she worked, (as would we of watching her perform them as well). Variety is a good thing, for artist and viewer alike. But when we hear of a new drama starring Merle Streep, we know we are going to see something excellent and enjoyable because these movies are her greatest strength, her ‘vein of gold’ if you will.

    Bearing this in mind, Ms. Cameron sets out to help us find our own ‘vein of gold’ in our chosen field of creativity by helping us find ourselves. She suggests writing ‘morning pages’, three hand-written pages each day to help you clear your mind. As you write these ‘pages’ consistently, you find that they will clear your mind, help you vent your frustrations and find those lurking fears, feelings and angers that your ‘conscious’ mind has been trying to sublimate. They are like a sounding board, or a very close friend that you can tell anything to. These are not to be seen by anyone else and are therefore a safe and sacred place to lay it all on the line, to be yourself and to express those things that you are afraid to let others, including your close friends, see.

    A walk a day is another tool suggested in the course. Twenty minutes a day, walking indoors or out, city or country it doesn’t matter where. The actual act of walking, the repetitious movement of body can be soothing in and of itself. The scenery along your path is to be enjoyed as well, the fragile rosebud on your neighbor’s rosebush, the brightly colored house around the corner and the lazy cat on the large porch you pass are all fodder for creativity, be you a writer, a painter or a musician.

    The smell of the rain on the hot cement, the sound of a lawnmower and the smell of the barbecue down the street can inspire you as well. The noise of jackhammer and construction workers can be just as wonderful as the quieter sounds of suburbia or the country. Neighbors yelling in the apartment next door, the sound of taxis whizzing by on a busy street and the distant wail of a police siren are fertile images to be used in your art as well.

    My first thought was that I didn’t have time for these daily walks, and in truth, I don’t. But I forced myself to make the time, and have found that I miss them on those busy days when I choose to do other more pressing things. They are like a personal treat, to myself and my ‘inner artist’, and I have found reasons ‘to do’ them; quiet time to wind down after work and before sleeping, spending time with my kids, exercising the dog, exercising myself. Funny how a change in attitude makes something ‘needful’ instead of a chore.

    In the first chapter of our journey of self discovery, we are asked to write a self history. The author suggests writing about your life in five year increments, 1-5 years, 5-10, and so on. Include favorite friends, toys, games, where you lived and your family members. These memories will help you not only get these things down on paper but allow you to analyze your feelings about the events that made you the person you are today.

    For instance, your parents may still describe the ‘long awaited and wonderful’ move to that new house in the suburbs when you were a child, and you have been blinded by their feelings on the subject. Maybe on closer inspection of your memories you were angry at having to leave your old friends and school. It might not have been a ‘happy’ decision for you. Include these observations, they are important.

    This exercise will hopefully jog some memories that you had forgotten, some exciting, joyful, or even painful things that have been pushed to the back of your mind. These events might be used in understanding yourself and in your writing, essentially ‘mining’ your life for inspiration.

    There are further exercises to help you find your own personal ‘vein of gold’, that niche where you do your best creating. There are seven ‘kingdoms’ to progress through on your journey of self and I have barely scratched the surface of the first chapter in this article. I am looking forward to the other chapters, it has been a rewarding trip so far and it’s only just begun.

  • The Manuscript Graveyard

    My last post must have been a tad over the top, so in an effort to keep this blog rolling and not get it bogged down with the nonsense in my brain, this one is short and sweet.

    Does anyone else fear the manuscript graveyard, or is it just me?

    If you boil the journey to publication down to it’s barest bones, here’s how it goes: write, submit, repeat.

    Simple, right?

    Except . . . what happens when you get beyond that step? What do you do when one of your submissions comes back to you with a rejection letter (it DOES happen). Or worse, you get nothing back at all? It just got lost in the vacume of editor-space and the ghost is hovering on your hard drive . . .

    How do you keep writing, keep submitting, keep repeating when the corpses of rejected stories keep piling up?

    I mean, how sad is the thought that you just keep writing, pouring your blood, sweat and tears into these words, these bytes of consciousness, and they just come back to you to be buried?

    Pretty fricking depressing, if you ask me. And my graveyard is growing . . .

    So, I thought to myself, ‘this simply won’t do’.

    Time to kick over those headstones, those mental blocks that tell me the story is pathetic and will never be published, and breathe some life back into these manuscripts.

    If you’re thinking ‘I don’t want to spend time nursing a rejected story back to life, I just want to make the next one better’, trust me, I’m with you. BUT, there’s no reason that a little effort here and there won’t eventually cycle one of your older stories into the right hands, or effect just the right change to bring it back to life. Right? As writers, we have to have faith that we have something to say – something worth reading. Not everything will be our best, but it’s all worthwhile.

    I haven’t tested this theory, but here is my plan:

    In simple, baby steps, I’m going to convert my graveyard into a garden.

    Now, a garden needs tending – pruning, weeding, watering – you get the idea.

    The steps:

    1. Open up your ‘dead’ manuscript and read it through once – not with an editing eye, but with a reader’s eye. Ask yourself – do you still enjoy this story? If you have no idea what you were on about, or you just cringe – it might be a weed. We’re all sure to have a few of those. Put it in a ‘weeds’ folder and move on. DO NOT beat yourself up about it.

    2. If you enjoy the story, if you still feel it – maybe it just needs pruning or watering. And by that I mean – does it drag, or is it incomplete? Can you trim it down (FYI – the answer is yes – you can always trim it down) and make your message/theme clearer? Or, does it really beg for a deeper explanation? Pay attention to the feedback you’ve received on it, if any, and try to be objective. Design a designator, like P for pruning, or W for watering, or just move the files into their prospective folders.

    3. For each of the non-weeds, come up with at least 3 places where you could possibly ‘plant’ the story after its revision. There are TONS of possible homes out there, and if you’re actively submitting, you know where they are. 😉

    4. Commit some time to your good seeds. Prune, water. Do what you have to do. Don’t drop everything you’re doing, but get it rolling in the background at a reasonable rate – one piece a month, or whatever works for you.

    5. Get them out there! You’re garden won’t grow if you never plant it! Again, find a comfortable rate and stick to it. If you’re going to have one or two or ten submissions out there at a time, do it. Don’t let those corpses pile up. Keep revising, keep submitting. Keep tending your garden.

    And keep the faith that your sunshine is just around the corner!

  • Motivation + Reinforcement = Dedication


    A while back, I posted an entry on Balance Point and promised I would follow up with a post on goals. I thought it would work good for a Wiley Wednesday, so here it is. I apologize in advance for its length. I’ve split it up, but it keeps getting longer. Apparently, I have a lot to say on this . . . lol.

    Just a quick review on Balance Point – the main idea of that post was: know your limits. This is crucial to goal-setting, as you’ll see.

    Usual disclaimer: I have no sorts of letters after my name to assure you this is right. I’m just a goal-oriented person, sharing a little about what works for me in a way I hope you can custom-tailor to help you.

    When I started thinking about this more in-depth, it morphed and became larger than I expected. So, it will actually be broken up into two parts and I’ll post the second the next time I’m up for Wiley Wednesday.

    I made up a neat little formula to help me keep things straight, and it goes like this:

    Goals x Dedication = Positive Action,

    I further define:

    Dedication = (Motivation + Reinforcement)

    For those of you who don’t like math, here it is restated:

    Goals multiplied by dedication (motivation plus reinforcement) leads to positive action.

    So, what does that mean: positive action? It’s relative; it means taking steps in the direction of your ultimate dream/aspiration. That leaves us lots of comfortable wiggle room.

    A quick note on the difference between dreams and goals. Hopefully, as a writer, dreaming comes pretty naturally to you. Dreams are the stuff that fiction is made of. And if you’re a dreamer, aspiration surely follows. We all aspire to be better writers, better friends, better people. How about this one: “I want to be a NYT best-selling author.”

    Sound familiar? But this is a dream, an aspiration, not a goal. Dreams are insubstantial – usually so far off in the distance that they’re misted over, the actual path to reaching them is obscured. They are literally up in the clouds.

    That doesn’t mean you can’t make them a reality. Your dreams are the pinnacle of your ‘pyramid-o-happiness’, which you are hopefully always building. Your goals are the bricks that, when stacked with care, will get you to the top. Sometimes they’re gritty and heavy, sometimes they’re fun and ornate. Positive action is the act of stacking your bricks.

    We’ll talk about goals more next time and I’ll show you a ‘goal pyramid’ method that I like to use, complete with exercises. But this time, I want to talk about the other part of the formula: dedication (motivation + reinforcement).

    As I said in my Balance Point post, writing can be a lonely pursuit. Sometimes it feels like everything in the world is working against you becoming the writer you want to be. At times like these, only your own dedication keeps you writing. It might be continually put to the test, but if your dedication is strong enough, nothing can hold you back from stacking those bricks.

    Let’s face it – writing can make us feel vulnerable, elated or extremely frustrated; fill us with hope, or with doubt. At any of those times, it is only dedication to the craft, to the muse, or to our own dreams that makes us pick up that How To book, open that document, or write those pages despite the uncertainty we may be feeling.

    To me, dedication is made out of (at least) two different components: motivation and reinforcement.

    Motivation can be internal or external. It can come from us, or from other sources. It can also be positive (desire), or negative (fear). I will focus on the positive kind (just cuz) but I do want to make it clear that negative in this case doesn’t necessarily mean bad. A lot of people might disagree with me, but if fear is your strongest motivator, if you’re just wired that way, don’t feel like you shouldn’t be. You don’t have to fight to re-wire yourself, just learn to use it as a tool.

    Think about this:

    What initially motivated you to start writing? What kept you motivated after you got your first taste? Was it internal or external, positive or negative? Which of these really works for you? Everyone is different. When you have to motivate yourself to do something – how do you do it? Through rewarding yourself? Or is it the threat of bad consequences that gets your butt in gear?

    The reason it’s important to ask yourself these questions is to figure out how your internal motivator works, and if it’s not working, how to change it so that it does. Even the most powerful engine still needs a spark to ignite it. No matter what you’re packing under the hood in terms of capability, talent, or determination, you need motivation to get things running.

    Try this:
    Draw a square with a cross in the middle, making four stacked squares. Along the top, write positive and negative. Along one side, write internal and external. In each box, try to think of an example (real or hypothetical) of a type of motivation you’ve used or encountered for each. Now, be honest with yourself – which one works for you?

    Once you’ve identified your best type of motivation, make a list of different ways you could use it. For example, if you’re internal/positive, positive self-talk and rewards might work. If you’re external/negative, then maybe you need to design consequences that would keep you motivated, or find someone to hold you accountable. It’s all very personal, and there is no right answer.

    So, now that we’re motivated, we’ve started our engine and we’re rolling. But dedication is more than just that initial burst. Dedication has to keep us going even when we encounter a three-foot deep pothole. Or a cliff.

    What we need is reinforcement. And I will venture to say that whether negative or positive motivators work for you, we all need positive reinforcement, so let’s focus on that.

    Just like motivation, reinforcement can be internal or external, or hopefully both.

    First things first: Eliminate outside influences that drain your energy or have the opposite effect – quashing your motivation and dwindling your dedication down to nothing.

    These can be abstract things (fear, doubt, exhaustion) or very specific (a person who brings you down, or something on your to-do list that won’t leave you alone). I could write a whole post on how to recognize and purge these negative influences. I’m only touching on the idea here, but still want to underscore its importance.

    Surrounding yourself with people, things and circumstances that reinforce your dedication will yield the best results. The internal component of that positive reinforcement cannot be over-emphasized.

    If motivation is the spark that starts our engine, positive affirmation is the fuel that keeps it running.

    Our sub-conscious is a tricky little bugger. Sometimes it can set us up for failure before we’ve ever begun. It can stall our engine in multiple ways and for multiple reasons. Using positive affirmation, you’re telling your sub-conscious that you are in charge, you know what you want, and you are not going to get in your own way.

    We all have dreams and aspirations (which we will translate into concrete goal-bricks next time) that we want accomplish. We have the motivation to go after them, and we’ve eliminated the obvious road blocks. Now we just need steady fuel – affirmation. For me, it’s probably the largest thing that keeps me on track, and I’ve developed a few different habits and tools to keep the fuel pumping.

    To an extent, this sort of thing is very personal, but here are several ideas:

    1. Find a positive environment, surrounded by people who feed into your dedication.
    2. Keep a file, written or computer, that holds all of your favorite positive feedback from others. When you’re feeling down, re-read them.
    3. Learn to hone in on your own doubts and fears. Don’t ignore them. Listen to them, and then reason them out. Face them, and then disengage them. Once they’re not a threat any more, you can move on to the positive.
    4. Find someone inspirational to follow – a blog to read, a person to study, someone you know – anything. Emulate what you like about how they operate, or make a note of the traits you admire and those you have in common – they are probably very similar.
    5. Write a review of your WIP, or a story you haven’t yet written. Type it up, print it out, and paste it somewhere visible.
    6. Surround yourself with inspirational quotes, pictures, etc.
    7. Interview yourself – either alone in your car, in the tub, or on paper. Tell the story of how you became a writer, what writing is to you, how you got that amazing idea and what your plans are for the future. (Yes, I really do this. Unorthodox, but hey – my dedication hasn’t faltered yet!)

    One more quick thing – going back to the subconscious. There is power in every thought you have, and every word you speak. When you think about your dream, or when you mention it. Don’t say “If I ever get published . . .” In the words of Yoda – “Do, or do not. There is no try.” There is no IF. It’s a WHEN. “When I sell my first novel . . .” You have to believe that to be true. And you have to get your subconscious on board.

    Never underestimate the power of constant positive affirmation – written, spoken and thought. Maybe you want to repeat the same set of affirmations before you go to bed each night, or first thing when you wake up, or several times a day. Say them in your head like a mantra, like a prayer. Each time you do, you are reinforcing your own dedication. Once you have your goals in order, you’ll be on the road to positive action.

    Courtesy of author Robyn Amos, here are some great affirmations for writers:

    I am a talented writer.

    Creativity flows through me easily and effortlessly.

    I am my own expert, and I am not affected by the negative attitudes and opinions of others.

    I easily balance the needs of my family with my own need to write.

    I have a positive expectancy of big success, and I take temporary setbacks easily.

    I am a creative person and develop my plots with confidence and imagination.

    Images and words come easily when I sit down to write.

    I write daily with excitement, enthusiasm, and confidence.

    I don’t wait for inspiration. Work inspires inspiration.

    If I succeed, I keep working. If I fail, I keep working. Whether I feel interested or bored, energized or tired, encouraged or discouraged, I keep working.

    Everyday, in every way, I’m getting better and better.

    I have the craftsmanship and creativity to successfully finish this book.

    Remember, GOALS + DEDICATION = POSITIVE ACTION.

    We’ve got half of the formula covered! Next time I’m up for Wiley Wednesday, I’ll talk about turning those faraway dreams into solid, stackable goals using a ‘pyramid’ method. Hope you take something worthwhile away from this, and I’ll be happy to answer questions, via email, or in the comments.

    ~Gwen