What activities brighten your day? Can you maybe take a few minutes to pamper yourself with fun? I sincerely hope you can sprinkle a little innocent pleasure into a what I imagine is a very busy modern schedule.
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What activities brighten your day? Can you maybe take a few minutes to pamper yourself with fun? I sincerely hope you can sprinkle a little innocent pleasure into a what I imagine is a very busy modern schedule.
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I have a special treat for today’s Writer Wednesday feature. I had the opportunity to virtually meet Shira Glassman through the Torquere and Prizm author lists; Prizm is Torquere’s Young Adult imprint. Shira recently signed with Prizm and her book The Second Mango comes out next week on August 21st. I asked Shira what it’s like to work with artists and our conversation turned into a guest post. Take it away, Shira!
Working with artists to commission promotional artwork for The Second Mango, due out from Prizm Books on August 21
by Shira Glassman
I’ve been lucky enough to work with about half a dozen extremely talented ones with the Mangoverse project, and they’re all different! Perhaps the most involved has been my good friend Jane Dominguez, who is a professionally trained graphic artist for a local design firm. It helped that she read the books in their first draft and really enjoyed them. Seeing some of her initial drafts, however, made me realize that I wasn’t describing my characters in nearly enough detail. That was an unexpected benefit I got out of the experience–seeing how well I’d put on paper what was in my head. (Luckily, that was over a year before I ever signed any publishing contracts, and the version I submitted to Prizm had much better fleshed-out descriptions.)
Jane has drawn pictures of her own, but she also inks and colors the pictures of some of my other artists. I’ve learned that there are different styles for coloring; she used a digital “colored pencil” effect for the artwork depicting my protagonist’s childhood holiday memories, and a watercolor effect for a landscape image.
Mina does the line work for most of the artwork that I have in manga styles. Her ‘chibis’, or childlike cutesy representations of the characters, usually blow me away with how she manages to capture the full range of human emotion with just a few lines. She also has a more serious manga style that takes longer to draw. When we work together, I have to make sure she takes breaks so she doesn’t get tired out, or else she’ll sit there doodling for hours without stopping! Working with her has also been interesting because she hasn’t read the books yet (she’s waiting for the release), so I had to be very careful not to slip up and reveal spoilers and surprises. I’m sure she’s guessed some of them anyway.
Erika lives far away, so we communicate long-distance. She, like all my other artists, is exceptionally patient about my polite but very specific demands about tweaking this or that seemingly unimportant detail. Erika is a published author herself so I’m thrilled that she’s willing to take time to frolic in my world as well as her own. Her style is graphite realism, and I feel lucky to have benefited from her astounding growth over the past few years.
Rachel doesn’t draw as much as she’d like to, possibly because she’s too busy playing professional tuba or giving belly-dancing lessons — have you ever heard of a more fascinating combination of pursuits? But she’s got real talent in both conventional Western cartoon art and in the “chibi” manga style. I’ve also had other friends get involved in the characters, and send me their drawings. Everyone has been a pleasure to work with.
Working with an artist can be very rewarding, because it can give your imagination a rest, and give you a better idea for how to describe your world and your characters. A good artist to work with will be someone who enjoys your creation and will also be patient with your requests for revision. I hope I pay them fairly, for what they do for me is priceless.
Art credits: Erika Hammerschmidt, Jane Dominguez, Mina V., and Rachel Matz.
All art displayed features characters from The Second Mango. Kissing picture by Jane Dominguez. “Food is love” and Dragon drawn by Mina V. and inked by Jane Dominguez. Napping with Dragon by Erika Hammerschmidt. Rivka with her sword drawn by Rachel Matz and inked by Jane Dominguez.
What gets you on the page, stage, or wherever you wish your art to flourish? I hope you’ll find the time to get out there today and do it.
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I wanted to share with you some recent photographs I took while flying across the country to visit Rachel. Many of the pictures don’t seem like pictures of land, more like textures or maybe even baked cookies on a sheet. What do you see?
What do you see?
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“It takes courage to grow up and become who you really are.”
– E.E. Cummings
My links: Blog | Website | Facebook | Twitter | Goodreads | Amazon | LinkedIn | Pandora
Knoontime Knitting: Blog | Facebook | Twitter | Ravelry
Noon and Wilder links: Blog | Website | Facebook
The Writer Zen Garden: The Writers Retreat Blog | Forum | Facebook | Twitter
Team Blogs: Nightlight | Nightlight FB Page | Beyond the Veil | BtV FB Page | LGBT Fantasy Fans and Writers | LGBTFFW FB Page
Publishers: Samhain Publishing | Torquere Press
Check out BURNING BRIGHT, available from Samhain Publishing.
Check out EMERALD FIRE, available from Torquere Books.
Check out “Taking a Chance“, part of the Charity Sips 2012 to benefit NOH8, available from Torquere Books.
Watch for COOK LIKE A WRITER, coming February 2013 from the Guerrilla Chicks.
Watch for TIGER TIGER, coming July, 2013, from Samhain Publishing.
In college, one of our assigned books was Ways of Seeing by John Berger, based on a series of 30-minute films in the early 1970’s. While I recommend the book, this isn’t a review of it. Rather, the title is evokative of a state of mind. It’s on my shelf in my line-of-site from where I do a lot of my writing, so it’s something that’s in the background of my consciousness and the words have become a phrase in the substrata of my mind.
The way we see is unique. Each of us could look at the same scene and come away with different impressions and imagery of what we saw. This is valuable and necessary. We don’t have to believe it for it to be true; we just have to see.
Do you have a camera, even just the simple one in your phone? (Granted, some of the smart phones out there have cameras that are anything but simple.) Have you experimented with just shooting a picture series of what you look at every day? Try this:
Tomorrow, as you go about your daily round, take pictures. If you drive, pause and snap what you see out your windshield before you start driving. If you walk or take transit, snap pictures of stuff you see every time you go on your route. The more mundane, the better. Like a detective, we are after data and facts, not art.
Do you dislike pictures of yourself? Experiment by taking one picture of yourself every day this week. Do not judge; just take the picture and record the date. “This is what I looked like on Tuesday.” Play with different expressions and poses. If you find yourself with one particular expression a lot, make that expression (for example, the one you have on your face when the phone rings) and take a picture of yourself. What do you look like with that expression?
If you don’t have a camera, there are several good, inexpensive models you can find here, here, and here. See if you have a friend who would loan you theirs. If you have an affiliation with a school, they sometimes have them available for loan.
The point here is to become acquainted with how we see the world. A fun twist on this exercise is to do it at the same time as your kids and then compare notes. See what you might learn about each other. Be prepared – leave your expectations at the door. When you open your eyes and look, you’ll never know what you might see.
Have fun!