Contributed by Evilynne.

In the horror genre, zombies are used as a metaphor for ‘xenophobia’, that is fear of ‘the other’.  This is a logical fear as the unknown is always just that, unknown.    Writers and directors work to create art that resounds with others.  “Let’s make a movie, write a story, paint a picture about it.  Everyone responds to fear.”  Zombies have become a useful, and evolving, creature in this art form.

In the black and white horror movies of the 1950’s zombies were depicted as black slaves, usually from Haiti, most of them entranced by a witch doctor.  They were forced to obey their master; they moved slowly and had no thoughts of their own.  Their circle of influence was very small, within a few miles of their creator and they died when their master did.

Looking at those first movies we can see ‘the other’ was usually a black man, and we don’t need to make a reach to see the Civil Rights Movement of the time feeding these fears — especially considering the witch doctors often used their zombies, dirty from working the fields and dressed in rags, to kidnap blond, white women, dressed in flowing white gowns.  What a terrifying image: the vulnerable, unconscious landowner’s wife thrown over the shoulder of a black man and carried away into the night.  Not only did it look great on the black and white film of the time but tapped into the upheaval that movie goers lived with in their daily lives.

Now let’s fast forward to the modern zombie movies. In their newest incarnations zombies are the reanimated dead; horrible and unnatural as that thought is in and of itself.  Most are brought back by a disease, a comet from space or some government experiment gone wrong — common fears of recent times.  The ‘newer’ zombie’s hunger for human flesh and will find and attack any human to get what they desire, often in the most fast paced, claustrophobic, and gory way possible.  And these monsters don’t die when their creator does, instead they create more zombies through their bite, making their numbers grow exponentially, infecting not just our country, but eventually the whole world.  As for killing them, most movies rely on killing the brain by shooting, beheading, or a knife through the eye.  The genre must now use extra violence to compete with the wars and crime that are seen every evening on the news.

Yes, the most recent zombies reflect the immigration problem at the Mexican border, terrorist attacks from the Middle East and diseases like Covid and Ebola.   These ‘frightening people’ and the diseases they bring are now a part of American society.  “They will take our jobs, put a drain on the economy, overthrow our government and take over our culture, and heaven forbid, most of them don’t even speak English!” is a frequent fear expressed by some.    Not only will these monsters kill us, they will bring down our whole nation and civilization. Images of survivors wandering a vast cityscape of empty ruined buildings, foraging for food and safety, prey on our primal fears of being alone, vulnerable and desperate.  Without our technology and the help of others we are forced to be our own police, food provider, mechanic and doctor; we have become very specialized in our culture and most are not prepared to learn all of these skills.  More vulnerability awareness.

Zombies just hit the spot when you want to scare someone, don’t they?  Who knows what zombies will look like in the future, what they will do?  I believe they will echo the fears of the period.  So, next time you are watching a scary movie, especially one with zombies in it, try to figure out what it is about the monsters that triggers you.

The writers and actors have planned on your reaction. Were they successful?